Wednesday, July 22, 2015

CDs Stored @Sister's Home Circa Year 2004
& Recently Rediscovered



...Also In Storage - Assisted Ready-Made of Marcel Duchamp's L.H.O.O.Q. (Playing Card Version)...


Sunday, July 19, 2015

Tuesday, July 14, 2015

Backporch: Butterfly & Fan


Tuesday, July 14th, 3:30pm

Saturday, July 4, 2015

e pluribus unum


Recording

Wikipedia: Bob Dylan began to record the Blonde on Blonde album in New York in October 1965. Frustrated by the slow progress in the studio, Dylan agreed to the suggestion of his producer Bob Johnston and moved to Columbia's A Studio on Music Row, Nashville, Tennessee, in February 1966. Bringing with him Robbie Robertson on guitar and Al Kooper on keyboards, Dylan commenced recording with the cream of Nashville session players.

On February 15, the session began at 6 p.m., but Dylan simply sat in the studio working on his lyrics,while the musicians played cards, napped, and chatted. Finally, at 4 a.m., Dylan called the musicians in and outlined the structure of the song.Dylan counted off and the musicians fell in, as he attempted his epic composition, "Sad Eyed Lady of the Lowlands". Drummer Kenny Buttrey recalled, "If you notice that record, that thing after like the second chorus starts building and building like crazy, and everybody's just peaking it up 'cause we thought, Man, this is it...This is gonna be the last chorus and we've gotta put everything into it we can. And he played another harmonica solo and went back down to another verse and the dynamics had to drop back down to a verse kind of feel...After about ten minutes of this thing we're cracking up at each other, at what we were doing. I mean, we peaked five minutes ago. Where do we go from here?" The finished song clocked in at 11 minutes, 23 seconds, and would occupy the entire fourth side of the album. Four takes of the song were completed, but were mainly rehearsals; take 2 is also interrupted.